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Copy of drawings from old
masters.
At a first stage the students learn how to use different kind of
pencils copying drawing from old masters.
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Mr. Romano, Study with grafite |
Nicole,Copy from Correggio, sanguigna. |
| Gradually they acquire the sense of volume with the
chiaro-scuro, the sense of proportions and the perspective. |
Study of anathomy, grafite |
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Studies of volumes,still lifes and drapery.
During this stage the student begins to work from life and uses
other graphic tecniques like sanguigna and charcoal and experiment
different kind of papers.
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Study of volumes still life, grafite
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Maria, study of still life, sepia |
Myriam Fargues, study of glass objects, grafite. |
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Mr. Romano, Study of still life drapery, charcoal. |
Studies of sculptures.
Gradually the students studies the human body by
drawing plasters and sculptures.
We introduce the study of proportions and anatomy
of the face and the hand.

Study of sculpted hand, grafite.
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Study of head of a statue, grafite.
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Study of head of a statue, grafite.
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Study of head, charcoal. |
Study of David by Michelangelo, charcoal.
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Portrait, grafite. |
Portait and nude with model. At
an advanced level, students work on more difficult subjects such
as portrait and nude with model. The human figure is introducted
with a study of the anatomy and proportions of the head and the
body.
Then students learn how to coordinate the eye and
the hand and to train the visual memory with some drawing/painting
sessions with model.
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| Nudes with model,
short poses, grafite. |
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